Heartpocalypse

Unique, compelling and strangely funny story telling, along with great sound design/cinematography, this one is really worth seeing.

(via maninwhitedress)

(via cryptdick)

(via cryptdick)

(via cryptdick)

(via cryptdick)

(via cryptdick)

The point of departure for this video was confrontation with photographic documentation of the carnage unleashed by the US-UK invasion and occupation of Iraq in 2003. Children killed or in hospital with limbs blown off, American pilots inscribing bombs, buildings and villages utterly destroyed. Approximately 250 such photographs appear in looped succession, but masked, because these gruesome and disturbing images are somehow “unseeable” by the culture largely responsible for creating them. The text that appears is didactic; there are things people actually cannot see (“love”), refuse to see (“The Geneva Conventions”), or can no longer see (animals made extinct by human activity). The music was created earlier as the opening for a piece of experimental Polish theater (‘Uronjenia’ by Pawel Jurek, produced by Teatr Modrzejewskiej in 2005), but operating in the video as something more than soundtrack. Relationships between and among text, music, video, and even typography prompt cross-perceptual impressions.

era un ave (by gustavosilveti)

(by gustavosilveti)

la líneas de mi mano (by gustavosilveti)

Semmiconductor does some of my favorite work. This one is eye (and ear) candy too.

20 Hz observes a geo-magnetic storm occurring in the Earth’s upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception.

by Semiconductor

(via marikajo.com)